bergsonism การใช้

The French philosopher Gilles Deleuze attempted to recoup the novelty of Bergson's idea in his book " Bergsonism ", though the term itself underwent substantial changes by Deleuze.
The notion of multiplicity forms a central part of Bergson's critique of philosophical negativity and the dialectical method, Deleuze argues in his commentary, " Bergsonism " ( 1966 ).
At the same time the phenomenological philosophy of Husserl and Heidegger became increasingly influential, perhaps owing to its resonances with French philosophies which placed great stock in the first-person perspective ( an idea found in divergent forms such as Cartesianism, spiritualism, and Bergsonism ).
Bergson's work was a major influence on Gilles Deleuze, who wrote a monograph on him ( " Bergsonism " ) and whose philosophical analyses of cinema ( " Cinema 1 : The Movement Image " and " Cinema 2 : The Time-Image " ) develop his ideas.
In " Bergsonism ", Deleuze writes that " virtual " is not opposed to " real " but opposed to " actual, " whereas " real " is opposed to " possible . " This definition, which is almost indistinguishable from " potential ", originates in medieval Scholastics and the pseudo-Latin " " virtualis " ".