unflesh การใช้

In 2014 Gazelle Twin released her second album, " Unflesh ", to further critical praise.
Bernholz made " Unflesh " using the digital audio workstation MCI console, Bernholz reasoning that " Anything sounds better through an analogue desk like that ."
In an interview with Guy Mankowski for PopMatters, Bernholz mentioned that in the live shows for Unflesh she would be performing in a version of her PE kit from school, saying she wanted to'go back to my teenage years to literally live out the idea of being a freak, like I thought I was ( and was often made to feel ) at the time .'
In the words of " Drowned in Sound " writer Tristan Bath, instrumentation of " skittering beats " and " squeamishly thin synth tones " remain present throughout the album, with Bernholz'vocals " on top more often than not twisted unrecognisably into that of a demonic robot . " Her voice changes constantly, writing that there are " several songs applying layer upon layer of densely mutated vocal tracks ( as on the title track ) while others remain clean in favour of the lyrics ('I Feel Blood') . " The synths were noted to be influenced by Iggy Pop and John Carpenter . " Artrocker "'s Finola Doran described the record as " like a piece of art rather than music one would sing and dance to ", while in contrast, Robert Whitfield noted " Unflesh " to be " surprisingly danceable record amidst all the dark beats ".