ora pro nobis การใช้

• It is inscribed " Sancte Petre ora pro nobis ".
• Ora pro nobis, Antonio de la Hoza me Hizo . 1829 ."
• One of the three 1536 bells commemorates the old dedication to St Peter with the inscription " Sancte Petre ora pro nobis ".
• An image of Saint Peter and another one of Saint Paul together with the following inscription " Sancte Paule Ora Pro Nobis " were engraved in it.
• Benedicta tu in mulieribus, et benedictus fructus ventris tui, Iesus . * Sancta Maria, Mater Dei, ora pro nobis peccatoribus, nunc et in hora mortis nostr?
• The oldest ( No . 2 ) was cast in the bell foundry at Wokingham in 1420 and is inscribed " " Sancte Johannis Ora Pro Nobis " ".
• Bell No . 1, which is similar in design to bell No . 2, was cast by Roger Landen of Wokingham in 1448 and is inscribed " " Sancte Caterina Ora Pro Nobis " ".
• In the last part, which begins as in the second part by the soloist with the organ on " " Ora pro nobis " ", the choir goes on diminuendo till the end in " pianissimo ".
• A response from his parishioners of " Ora pro nobis " after " Omnes sancti Angeli et Archangeli " in the Litany of the Saints would elicit a pause and the correction " No, Ora " te " pro nobis ."
• The church has a Greek cross plan . semicircular apse has five arched windows, above which, within a frame, is the inscription SANCTA MARIA MATER DEI ORA PRO NOBIS ( Holy Mary, Mother of God, pray for us ).
• Burgos, is epitomized with the final lines : " Ora pro nobis, Jacobe / A finibus terrae ad te clamavi " ( Pray for us, O Jacob / From the end of the earth I cry to you ).
• Gradually the praises became simpler; at times the petitions were omitted, and, from the second half of the 15th century, the repetition of the " Sancta Maria " began to be avoided, so that the praises alone remained, with the accompaniment " Ora pro nobis ".
• In the cantor or choir, and the congregants reply with either, " Ora pro nobis " ( if one saint is addressed ) or " Orate pro nobis " ( using the plural imperative form of the verb, if more than one saint is addressed ).
• Subsequently, the second part was released on January, 14, the third part was released on January, 21, and the fourth part was released on January, 29 . Earlier, on January 28, the official lyric video for the song " Ora Pro Nobis Lucifer " was released.
• After each name of a martyr or saint was chanted, invoking his or her intercession between God and the people, participants in the procession sang the Latin words, " Ora pro eo, " meaning " Pray for him . " This is a departure from the traditional, " Pray for us " or " Ora pro nobis ."
• The second and third bells were originally cast about 1500 by William Culverden of Houndsditch and inscribed " Sancte Thoma ora pro nobis " and " Sancta Anna ora pro nobis "  the fourth is inscribed " God Save the King . 1615 " and fifth " God Save the King . 1640 " They were both made by Robert Oldfield of Hertford.
• The second and third bells were originally cast about 1500 by William Culverden of Houndsditch and inscribed " Sancte Thoma ora pro nobis " and " Sancta Anna ora pro nobis "  the fourth is inscribed " God Save the King . 1615 " and fifth " God Save the King . 1640 " They were both made by Robert Oldfield of Hertford.
• In addition to the Magnificat, two movements specify trombones : the opening " Deus in adiutorium " is for six voices, two violins, two cornetts, three trombones, five viole da braccio and basso continuo; Sonata sopra " Sancta Maria, ora pro nobis " is for soprano, two violins, two cornetts, three trombones ( one of which can be a viola da braccio ), viola da braccio and basso continuo.
• They had a model in the Kyrie of the Mass, e . g . " Kyrie, fons bonitatis, pater ingenite, a quo bona cuncta procedunt, eleison . " It was an easy matter to improvise between the " Sancta Maria " and the " Ora pro nobis ", repeated over and over, a series of tropes consisting of different praises, with an occasional added petition, imitated however broadly from the litanies of the saints.
• Anglo-Catholics in Anglican provinces using the Articles often make a distinction between a " Romish " and a " Patristic " doctrine concerning the invocation of saints, permitting the latter in accordance with Article XXII . Indeed, the theologian E . J . Bicknell, stated that the Anglican view acknowledges that the term " invocation may mean either of two things : the simple request to a saint for his prayers ( intercession ),'ora pro nobis,'or a request for some particular benefit.