bardolatry การใช้

• This contributed to the growing phenomenon of Bardolatry which made Stratford a tourist destination.
• A witty satire on the excesses of bardolatry, the story reflects James's skepticism about the authorship of Shakespeare's plays.
• Throughout the 18th century, Shakespeare was described as a transcendent genius and by the beginning of the 19th century Bardolatry was in full swing.
• The Romantics, in particular, acclaimed Shakespeare's genius, and the Victorians hero-worshipped Shakespeare with a reverence that George Bernard Shaw called " bardolatry ".
• By the beginning of the 19th century, adulation was in full swing, with Shakespeare singled out as a transcendent genius, a phenomenon for which George Bernard Shaw coined the term " bardolatry " in 1901.
• By the beginning of the 19th century Bardolatry was in full swing and Shakespeare was universally celebrated as an unschooled supreme genius and had been raised to the statute of a secular god and many Victorian writers treated Shakespeare's works as a secular equivalent to the Bible.
• Before the Romantics, Shakespeare was simply the most admired of all dramatic poets, especially for his insight into human nature and his realism, but Romantic critics such as Samuel Taylor Coleridge refactored him into an object of almost religious adoration, George Bernard Shaw coining the term " bardolatry " to describe it.
• Their approach to factual documentation and to the reading of fiction, both, require a view of the universe that [ he ] just can t accept . " Even so, Phillips maintains that " the deification gets in the way of what [ Shakespeare is ] actually good at, " and that his critique of " Bardolatry " in the novel is equally in earnest.
• The Licensing Act may be the single greatest factor in the rise of " Bardolatry . " However, other, less sparkling, plays were also revived, including multiple versions of " Lady Jane Grey " and " The Earl of Essex " ( including one by William Congreve's " The Way of the World " were always promising comedy.
• In this research, Phillips " fell in love with " Shakespeare's work, even though he maintains a resistance to what he calls " bardolatry, " or " the constant search for proof that he was wiser, more powerful, more obviously the best than anyone else ever " ( the same " Shakespeare cult " that the fictional Phillips complains about throughout the Introduction ).
• In his 1998 survey, " Shakespeare : The Invention of the Human ", Bloom provides an analysis of each of Shakespeare's 38 plays, " twenty-four of which are masterpieces . " Written as a companion to the general reader and theatergoer, Bloom declares that bardolatry " ought to be even more a secular religion than it already is . " He also contends in the work ( as in the title ) that Shakespeare " invented " humanity, in that he prescribed the now-common practice of " overhearing " ourselves, which drives our changes.