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• The salon was filled with the works of modern artists ; there were landscapes by dupr , with their long reeds and tall trees , their lowing oxen and marvellous skies ; delacroix s arabian cavaliers , with their long white burnouses , their shining belts , their damasked arms , their horses , who tore each other with their teeth while their riders contended fiercely with their maces ; aquarelles of boulanger , representing n ? tre dame de paris with that vigor that makes the artist the rival of the poet ; there were paintings by diaz , who makes his flowers more beautiful than flowers , his suns more brilliant than the sun ; designs by decamp , as vividly colored as those of salvator rosa , but more poetic ; pastels by giraud and muller , representing children like angels and women with the features of a virgin ; sketches torn from the album of dauzats " travels in the east , " that had been made in a few seconds on the saddle of a camel , or beneath the dome of a mosque - in a word , all that modern art can give in exchange and as recompense for the art lost and gone with ages long since past