cachucha การใช้

• The Cachucha was created in Cuba though it is now considered a Spanish dance.
• Elssler was not Spanish, but her performances of Cachucha were filled with fire and sensual life.
• The poet Th閛phile Gautier titled her the " pagan " dancer because of her performances in Cachucha.
• However, completely sweet varieties of Scotch bonnet are grown on some of the Caribbean islands, called cachucha peppers.
• There is a final dance for the full company, reprising the gondoliers'Act I duet and the cachucha.
• Do馻 Toni, on the other hand, would sometimes start talking extremely fast ( a skill that she had perfected while playing her Cachucha character in Cuba ).
• Sir Malcolm Sargent devised a new ending for the overture to " The Gondoliers ", adding the " cachucha " from the second act of the opera.
• For instance, the ajilimojili, a Puerto Rican cilantro sauce, contains two ingredients _ cachucha pepper ( also known as rocatillo or aji dulce ) and culentro ( similar to cilantro, but more bitter ).
• She was particularly admired for her performances in Bournonville's " La Cracovienne " and " La Lithuanienne " as well as for her " La Cachucha " dance as C閘este in " Toreadoren " which Bournonville choreographed for her in 1840.
• "' Manela Bustamante "', born Manuela Bustamante ( Havana, Cuba, November 14, 1924  San Juan, Puerto Rico, February 12, 2005 ) was a famous Cuban actress, who performed the character Cachucha in perhaps the most remembered Cuban comedy show of its era  Cachucha y Ramon ( 1955-65 approx . ).
• "' Manela Bustamante "', born Manuela Bustamante ( Havana, Cuba, November 14, 1924  San Juan, Puerto Rico, February 12, 2005 ) was a famous Cuban actress, who performed the character Cachucha in perhaps the most remembered Cuban comedy show of its era  Cachucha y Ramon ( 1955-65 approx . ).
• Offenbach biographer Alexander Faris notes similarities between " Le pont des soupirs " and Sullivan's " The Gondoliers " of 1889; he comments " in both works there are choruses " ?la barcarolle " for gondoliers and " contadini " [ in ] sixths; Offenbach has a Venetian admiral telling of his cowardice in battle; Gilbert and Sullivan have their Duke of Plaza-Toro who led his regiment from behind ", both also over-work the cachucha rhythm ".