chryselephantine การใช้

• An equally colossal chryselephantine statue of Zeus occupied the cella of the temple.
• Chryselephantine cult statues enjoyed high status in Ancient Greece.
• Few examples of chryselephantine sculpture have been found.
• The colossal chryselephantine statue of Pausanias.
• The German sculptor Ferdinand Preiss used Brazilian green onyx for the base on the majority of his chryselephantine sculptures.
• In the early 20th century German sculptors Ferdinand Preiss and Franz Iffland became well known for their chryselephantine sculptures.
• Similarly, chryselephantine sculpture used ivory instead of marble, and often gold on parts of the body and ornaments.
• In the 1920s, art deco master Ferdinand Preiss employed Gladenbeck to cast many of his bronze and chryselephantine sculptures.
• Pausanias also mentions that at the treasury of the Acanthians stood a chryselephantine trireme, donated by Cyrus the Younger.
• It is thought to be the only English language computer magazine to mention words such as Chryselephantine, Cromniomancy and Triskaidekaphobia.
• The statue's form of construction was unusual, as the use of chryselephantine was by this time regarded as archaic.
• In antiquity Phidias was celebrated for his statues in bronze and his chryselephantine works ( statues made of gold and ivory ).
• At Sicyon, Antiope was important enough that a chryselephantine cult image was created of her and set up in the temple of Aphrodite.
• The term " chryselephantine " is also used for a style of sculpture fairly common in European 19th century art, especially Art Nouveau.
• One genre of this sculpture was called the Chryselephantine statuette, named for a style of ancient Greek temple statues made of gold and ivory.
• Chryselephantine statues were not only visually striking, they also displayed the wealth and cultural achievements of those who constructed them or financed their construction.
• The firm's masterpiece is the ivory and silver chryselephantine sculpture " Minerve ", commissioned by the Giants and the Gods.
• During the Art Deco era from 1912 to 1940, dozens ( if not hundreds ) of European artists used ivory in the production of chryselephantine statues.
• Her preferred casting material was bronze; however, a number of her most distinguished sculptures are chryselephantine, being a combination of both bronze and ivory.
• Due to the high value of some of the materials used and the perishable nature of others, most chryselephantine statues were destroyed during antiquity and the Middle Ages.