colourisation การใช้

• In 2012 he established his own colourisation website at babelcolour . com
• The colourisation is opaque; she has excessively pale skin.
• The process of colourisation was preceded by extensive research.
• In 2014, the film completed colourisation and colourised version released on 7 November 2014.
• Marrow describes the colourisation as creating a " harmonious relationship between text and decoration ".
• Siddiqui studied the technology used for the colourisation of black-and-white Hollywood classics.
• Colourisation is now available to the amateur photographer using image manipulation software such as Adobe Photoshop.
• The paintings vary in their colourisation.
• His books are similar in layout and colourisation, and extensively decorated with gold and blue.
• Between 2006-2008 he produced work for the BabelFish Colourisation Website on kostamojen . com.
• The work is characteristic of Memling's serene style; typically harmonious in structure and colourisation.
• The modeling and colourisation is of the first quality, completed in the then popular monumental style.
• It looks impressive, subjectively-but video colourisation can often be made to look good at first.
• The Philadelphia copy, through dendrochronological analysis, is placed as around 1460, and probably closely follows the colourisation of the original.
• The entire project was co-ordinated by Deepesh Salgia, who partnered with companies including Iris Interactive and Rajtaru Studios to execute the colourisation.
• All of his forms are rendered with rich, warm colourisation and a sympathetic expression, while he is known for his expressive pathos and naturalism.
• The foundation opposed digital colourisation, stating that they " believe in the original repair as the way the master or the creator had seen it ".
• The first step towards colourisation was the restoration of the original frames of the negative was scanned into a 10 megabytes-sized file and then was digitally restored.
• To undertake the colourisation, Siddiqui brought together a team of around 100 individuals, including computer engineers and software professionals, and organised a number of art departments.
• The figure's positioning and colourisation are reversed, and Luke takes centre stage; his face is accepted as van der Weyden's self-portrait.