cornettino การใช้

• Georg Philipp Telemann and Johann Sebastian Bach used the cornettino in several church cantatas.
• The second and third octaves of the cornettino can be made to sound piercing.
• The accepted English plurals of " cornettino " are " cornettini " and " cornettinos ".
• Like the cornetto, the cornettino was made from two pieces of wood, carved out and glued together.
• The cornettino was favoured by the Stadtpfeiffer bands, in some places in Europe until the late 18th century.
• The timbre of the cornettino is more pungent, brighter and a little more incisive than that of the regular cornetto.
• Instruments played by the group include bagpipes, kamanja, cornettino, chalumeau, dumbek, riqq, shawm, saz, and ney.
• In the time of Michael Praetorius, the cornettino seems to have sometimes been used in sacred vocal music to play in unison with voices ( esp . tenors ) an octave higher.
• Like organs, cornetts and trombones, the cornettino was regarded as primarily an ecclesiastical instrument and hence was constructed in "'Chor-ton "'or "'Kornett-ton "'pitch.
• The cornett was, like almost all Renaissance and Baroque instruments, made in a complete family; the different sizes being the high cornettino, the cornett ( or curved cornett ), the tenor cornett ( or lizard ) and the rare bass cornett.
• Some composers who specified the use of the cornettino in their scores include : Michael Praetorius, Heinrich Sch黷z, Johann Heinrich Schmelzer, Heinrich Ignaz Franz von Biber, Matthias Weckmann, Antonio Bertali, Johann Caspar Horn, Johann Erasmus Kindermann, Matthias Spiegler, Johann Vierdanck, Johann Sebastian Bach and Georg Philipp Telemann.