diastematic การใช้

• In surviving manuscripts these pieces have been notated in diastematic neumes which resist reliable transcription.
• Paleofrankish neumes are adiastematic and no manuscripts with the Latin cherubikon have survived in diastematic neumes.
• For the first time, it proves that the diastematic Neume script ( written on staves ) is of rhythmical significance.
• Aquitanian and English cantors in Winchester were the first who developed a diastematic form, which could be written in such an analytical way.
• These lists prefer the use of Byzantine round notation, which had developed during the late 12th century from the late diastematic Coislin type.
• The last leaf was added from another book to use the blank versoside for additions on the last pages written by other hands, chant notated in adiastematic neumes but without alphabetic notation and even diastematic neumes with alphabetic notation ( ff . 160r-163r ).
• During the late 10th and the 11th century, the early use of a second alphabetical pitch notation was soon replaced by a new diastematic form of neume notation, which indicated the pitch by the vertical position of the neumes, while their groups indicated by ligatures were still visible.
• The manuscripts written or revised by Roger de Chabannes together with his nephew, were created in the form of troper-prosers and sequentiaries with a new diastematic form of neume notation ( William I and already in Ad閙ar's time its laic association had gained its power over more and more abbeys, their cantors and their scriptoriums.
• The diastematic notation of Aquitanian cantors and their most innovative use in tropes and punctum contra punctum polyphony which can be also found in the Chartres cathedral, the Abbey Saint-Maur-des-Foss閟 near Paris, and Fleury Abbey, also influenced the Winchester troper ( see its tonary ), the earliest and hugest collection of early organum or discantus.
• Among the monastic reforms of Normandy William of Volpiano was an important protagonist among the local abbots, but his alphabetic notation was only used over the following centuries in the Norman monasteries of his school, but never in the later Italo-Norman manuscripts which were rather influenced by the Saint-Martial Abbey of Limoges ( Aquitaine ), developed a new diastematic neume notation which allowed to indicate the ligatures, even if they were separated by the vertical disposition according to their pitch class.
• During the 9th through 11th centuries a number of systems were developed to specify pitch more precisely, including "'diastematic neumes "'whose height on the page corresponded with their absolute pitch level ( Longobardian and Beneventan manuscripts from Italy show this technique around AD 1000 ) . "'Digraphic "'notation, using letter names similar to modern note names in conjunction with the neumes, made a brief appearance in a few manuscripts, but a number of manuscripts used one or more horizontal lines to indicate particular pitches.