ethnomusicological การใช้

• Cognitive research has also been applied to ethnomusicological studies of rhythm.
• The band plays traditional Asturian tunes collected through ethnomusicological research.
• It also has a rich variety of ethnomusicological traditions.
• It is also written in a single measure in ethnomusicological writings about African music.
• Many universities around the world offer ethnomusicology classes and act as centers for ethnomusicological research.
• It was both an exuberant ethnomusicological study and one man's personal journey into the past.
• Throughout this decade, the tensions regarding comparative approaches continued to come into question in ethnomusicological circles.
• John Blacking was another ethnomusicologist who sought to create an ethnomusicological parallel to linguistic models of analysis.
• Another ethical dilemma of ethnomusicological fieldwork is the inherent ethnocentrism ( more commonly, eurocentrism ) of ethnomusicology.
• Thus, ethnomusicological studies do not rely on printed or manuscript sources as the primary source of epistemic authority.
• Despite the increased acceptance of ethnomusicological examinations of western music, modern ethnomusicologists still focus overwhelmingly on non-western music.
• The American Anthropology Association has made statements on the ethics of anthropological research, some of which concerns ethnomusicological study as well.
• However, even as early as the 1960s some ethnomusicologists were proposing that ethnomusicological methods should also be used to examine western music.
• Some ethnomusicological work from Jewish Eastern Europe is still available in print, notably the work of Soviet Jewish field researcher Moshe Beregovski.
• During this time she took it upon herself to conduct ethnomusicological fieldwork, although she had not yet received training in the field.
• Women contributed extensively to ethnomusicological fieldwork from the 1950s onward, but women s and gender studies in ethnomusicology took off in the 1970s.
• In 1977, Boulton started the Laura Boulton Foundation in New York City, a non-profit institution dedicated to supporting ethnomusicological research.
• This collection of 17 songs is an ethnomusicological trip that visits a number of North American nations and a few in Mexico and South America.
• As part of a broader inclusion of identity politics ( see Gender ), ethnomusicologists have become increasingly interested in how identity shapes ethnomusicological work.
• Recent ethnomusicological work has been done by native Zambians such as Mwesa Isaiah Mapoma, Joseph Ng'andu, John Anderson Mwesa and others.