gittern การใช้

• There are also references to some five course gitterns in the 16th century.
• Most gitterns were depicted as having three or ( more commonly ) four courses of double strings.
• The gittern often appeared during the 14th to early 15th century in the inventories of several courts.
• Unlike the lute, most pegboxes on gitterns ended in a carving of a human or animal head.
• Galpin was one of many researchers of his time that mixed up the name gittern and citole in his research.
• As a result of this uncertainty, many modern sources refer to gitterns as mandoras, and to citoles as gitterns.
• As a result of this uncertainty, many modern sources refer to gitterns as mandoras, and to citoles as gitterns.
• These have similar shapes, a short neck, and like the gittern are carved out of a single block of wood.
• The gittern had faded so completely from memory in England that identifying the instrument proved problematic for 20th century early music scholarship.
• As a consequence, what is now believed to be the only known surviving medieval citole was until recently labelled a gittern.
• Lewin is a vocalist and plays fiddle, vielle, rebec, gittern, shawms, recorder, mandolin, pipe and tabor.
• Like the earlier gittern, the mandore's back and neck were in earlier forms carved out of a block of wood.
• It was considered a new instrument in French music books from the 1580s, but is descended from and very similar to the gittern.
• During the late Middle Ages, gitterns called " guitars " were in use, but their construction and tuning was different from modern guitars.
• The gittern's sound hole was covered with a rosette ( a delicate wood carving or parchment cutting ), similar to the lute.
• In contrast, players of lute family instruments, such as the gittern, mandore, or lute did not hold the instrument this way.
• Around 1200 A . D ., European writers started to mention instruments with names like gitere, chitarra, guitarra latina, quinterne and gittern.
• From the early 16th century, a vihuela shaped ( flat-backed ) guitarra began to appear in Spain-then France, existing alongside the gittern.
• French theologian Jean Gerson compared the four cardinal virtues to " " la guiterne de quatre cordes " " ( the gittern of four strings ).
• Although there is not much direct information concerning gittern tuning, the later versions were quite possibly tuned in fourths and fifths like the mandore a few decades later.