impersonality การใช้

• With downsizing and corporate impersonality, it is appealing to people.
• Underpaid and unempowered, they stare blankly across an icy sea of impersonality.
• Dylan invested it " with that classic impersonality the true traditionalist seeks ".
• But the imposition and impersonality of the telephone make it well-nigh impossible.
• Rather, he took great comfort in the impersonality of the beauty around him.
• Many were later discarded with brutal impersonality.
• And how is this impersonality or absoluteness of the conditions of knowledge to be established?
• Calhoun ( 1991 ) presents a dystopia argument, asserting the impersonality of virtual networks.
• Features of rationalisation include increasing knowledge, growing impersonality and enhanced control of social and material life.
• Black, suggesting uniformity, impersonality, authority and discipline, had become a symbol of imperial order.
• From up there on the cliff, what he sees has some of the impersonality of video games.
• In the book Ingalls compares the impersonality of Sanskrit poetry with the predominantly personal poetry of the West.
• Liem Keng Sien displays works criticizing the impersonality of life in Jakarta and people's individualistic behavior.
• Shemi Zarhin, who wrote and directed, matches the banality of his screenplay with the impersonality of his filmmaking.
• The impersonality of these people s behavior leads Rich to notice the importance of the partner for the gay individual.
• It is saved from cavernous impersonality by its hip, open-air atmosphere, and is really two restaurants in one.
• After World War II, a new generation of poets sought to revoke the effort of their predecessors towards impersonality and objectivity.
• Some argue that video journalists can get closer to the story, avoiding the impersonality that may come with larger television crewing.
• "Fallen Star " forces visitors to juxtapose the comforts of home with the unsettling impersonality of a large institution.
• The younger rock audience breaks through video-era impersonality with moshing, one of the most tactile participatory rituals in music history.