inflective การใช้

• The letters a, b, and c represent formal inflective markers specific to each language.
• The earliest neumes were inflective marks which indicated the general shape but not necessarily the exact modern musical notation.
• The following rules can all be combined in a mostly straightforward manner, Bemba being agglutinative and not inflective, but there are still some exceptions.
• And the inflective and agglunative nature of Finnish can result in words such as " juoksentelisinkohankaan " " I wonder if I should run around aimlessly after all ".
• It peaked at number thirty-nine on the UK Singles Chart . " Prefix " magazine characterized the track for its " plodding gothic beat and sing-along self-inflective chorus ".
• Because English and Swedish don't have inflective endings, and German only modifies the articles, I'll give an example in Latin : it's like trying to interchange " video arborem " with " video arbor ".
• A similar system applies in Czech, but the situation is somewhat different in the plural ( only masculine nouns are affected, and the distinctive feature is a distinct inflective ending for masculine animate nouns in the nominative plural and for adjectives and verbs agreeing with those nouns ).
• He explains that the word, " Lakshana ", signifies that by which a thing is recognized, and the word, " Lopa " signifies the elision i . e . substitution of a blank, in which regard Sakalya had suggested certain optional substitutions as stated in Sukta VIII . iii . 19 . Vardaraja draws attention to Panini s statement referred to at St . 152 to the effect that after whatsoever there is an affix ( pratyaya ) enjoined, let what begins therewith, in the form in which it appears when the affix follows it, be called an inflective base ( anga ) e . g . in the case of addressing two or more persons of the same name, say-Rama, the Ramas need not be addressed as " Oh two Ramas " but the "-s " is to be dropped without change in meaning ( intention ) and addressed as " Oh Rama " which would suffice the intended purpose.
• Mike Diver wrote for BBC Music that " The Awakening is lacking the grandstanding moment it needs to elevate it above reserved recommendation . " Diver also noted that " Morrison has a truly great album in him  he's the emotional baggage to craft it, should he let locked-away demons loose  but for the third time in a row, this isn't it . " Jon O'Brien wrote for Allmusic that " With several songs relating to his alcoholic father's death on his third effort, The Awakening, the husky-voiced guitarist appears to have rectified one of his issues, but despite the presence of Suede's Bernard Butler as producer, it's difficult to hear how he's made any attempt to deal with the other . " O'Brien perceived that " lyrically, he's never been better, but until Morrison manages to infuse some of this raw honesty and emotion into his sound, he's always going to struggle to create that one great record that his impassioned and soulful voice deserves . " Andy Gill wrote a negative review for " The Independent ", stating that " It's as if he's learnt the technical grammar and inflective vocabulary of soul-style singing, but isn't able to make it into a coherent language that actually unlocks the emotions . " Ally Carnawalth wrote a mixed review for " The Observer ", stating that " Strings and expensive-sounding gloss are applied by producer Bernard Butler but unfortunately it's Duffy-era Butler, rather than the sweeping soul of his mid-90s David McAlmont collaborations . " Fiona Shepherd wrote for " The Scotsman " that " " The Awakening " follows mildly in the throwback direction of Aloe Blacc, paying tribute initially to the classic string-soaked strains of Marvin Gaye but bottling it and blanding out as the album veers towards the middle-of-the-daytime-radio road.