limberness การใช้

• I envy them the limberness of limb and spirit to do things I once did with abandon.
• When she's not on point, she's most likely airborne, doing leaps and turns requiring limberness.
• Seized by fear, she lost all the limberness and muscle control that came naturally to her on the golf course.
• She made a nice recovery by flashing into airtight spins and displaying the limberness of string cheese on her mind-bending split jumps.
• "It's the limberness, the fluidity, the youthfulness of just letting it happen, " said Frost, laughing.
• The a Gap jeans model and ballet dancer said his limberness came in handy when acting out the wolf's full-moon metamorphosis.
• It centers around Snead's legendary ability to kick his foot up to reach the top of a door, showing a limberness he retained well into his 80s.
• But the dialogue has the linguistic limberness of Stoppard at his wittiest, as when Shakespeare persuades the actor Ned Alleyn to play Mercutio by telling him that his is the title role.
• There are two general surgical remedies : Implants can be inserted through an incision in the neck to bring the vocal cords closer together, or substances like fat or collagen can be injected to plump up the cords and restore their youthful limberness.
• "While in Rome, Forti immersed herself in observing animals at the zoo, using her drawings of them walking, pivoting, rolling, rocking, eating, and swaying as source material for her own investigations about anatomy, ritual movement, gravitational forces, and limberness.
• He charges into " I've Got " with the limberness of a rapper _ and, surprisingly, a hip-hop kind of lyric ( " I can spend my money on fancy clothes, / Meet a thousand women doing videos and shows " ).
• With the limberness of camerawork and editing today, we rely on a lot of things, not the least of which are elaborate location, costumes, music, and sound effects, things you're not even aware of and which allows for much more nuanced and subtle acting ."
• She went to her first adult dance class with Stephen who told her that she was not very " turned out . " Rainer admits, " What she didn't say was something that I would gradually recognize in the next couple of years, that my lack of turn-out and limberness coupled with a long back and short legs would reduce my chances of performing with any established dance company . " In 1959, she began studying at the Martha Graham School.