moresque การใช้

• Godman collected Iznik, Hispano-Moresque and early Iranian pottery.
• Godman collected early Iranian pottery, Iznik pottery and Hispano-Moresque ware.
• However the term " moresque " is not used of these medieval versions.
• James designed the Moresque Building together with William.
• These objects also included the Hispano-Moresque ware produced by mostly Mud閖ar potters in Spain.
• The Spanish city of Seville became the major centre of the Hispano-Moresque tile industry.
• Hispano-Moresque examples were exported to Italy, stimulating the earliest Italian examples, from 15th century Florence.
• Hispano-Moresque wares use both processes, applying the paint as an overglaze which is then fired again.
• It is particularly famous for its collection of Godman bequest of Iznik, Hispano-Moresque and early Iranian pottery.
• Likewise, Islamic art contributed to a lasting pottery form identified as Hispano-Moresque in Andalucia ( Islamic Spain ).
• It was brought to Italy by Hispano-Moresque traders; the earliest Italian examples were produced in Florence in the 15th century.
• A Hispano-Moresque dish, approx diameter, with Christian monogram " IHS ", decorated in cobalt blue and gold lustre.
• Hispano-Moresque wares had a considerable influence on early Italian maiolica, indeed two possible derivations of the name have connections with it.
• Although the Moors were expelled from Spain in the early 17th century, the Hispano-Moresque style survived in the province of Valencia.
• Under the impetus of the Aesthetic Movement, William de Morgan revived lustrewares in a manner drawing from lustred majolica and Hispano-Moresque wares, with fine, bold designs.
• Hispano-Moresque ware is well represented by 13th and 14th centuries pieces decorated in green and manganese, lusterware, or other with white stanniferous enamel or cobalt blue luster.
• M醠aga was the first centre of Hispano-Moresque ware, before it developed in the region of Valencia, and then to Italy, where it was used to enhance maiolica.
• Around 1873 1874, he made a striking breakthrough by rediscovering the technique of lustreware ( characterised by a reflective, metallic surface ) found in Hispano-Moresque pottery and Italian maiolica.
• But many of the craftsmen had long been Christians in any case, and the Hispano-Moresque style survived in the province of Valencia, although showing an immediate drop in quality.
• The art of zellige flourished during the Hispano-Moresque period ( Azulejo ) of the Maghreb and the area known as Al-Andalus ( modern day Spain ) between 711-1492.