parcae การใช้

• In Roman mythology the three Moirai are the Parcae or Fata, plural of " fatum " meaning prophetic declaration, oracle, or destiny.
• These considerations end with the suggestion that the relief could depict be the Fates ( Moirai or Parcae ) determining the child's fate in life.
• The image may also allude to the Three Fates  the Moirai of Greek mythology and the Parcae of Shakespeare's play " Macbeth ".
• The weeping poet describes the funeral and explains the difficulty of the theme; Glaucias'birth, rearing, and death at the hands of the Parcae are recounted.
• The Graeae are similar to the Greek Moirai, the northern European Norns, the Roman Parcae, the Slavic Sudice, the Celtic Morrigan, and the Baltic goddess Laima and her two sisters.
• The motif of triple goddesses was widespread in ancient Europe; compare the Fates ( including Moirai, Parcae and Norns ), the Erinyes, the Charites, the Morr韌an, the Horae and other such figures.
• :" " The Parcae, Clotho, Epicharmus of Sicily, two  P and PS . The Greek letters Mercury is said to have brought to Egypt, and from Egypt Cadmus took them to Greece.
• "' Nona "'was one of the Parcae, the three personifications of destiny in Roman mythology ( the Moirai in Greek mythology and in Germanic mythology, the Norns ), and the Roman goddess of pregnancy.
• They relate Narfi to Erebus, which would make " nipt Nera ", used in " Helgakvi餫 Hundingsbana I " for a Norn who comes in the night, an appellation derived from the Parcae, who were Erebus'daughters.
• Haydn was deeply moved, for he applied Mozart's words to himself, and the possibility never occurred to him that the thread of Mozart's life could be cut off by the inexorable Parcae within the following year ."
• The title was chosen late in the poem's gestation; it refers to the youngest of the three " Parcae " ( the minor Roman deities also called " The Fates " ), though for some readers the connection with that mythological figure is tenuous and problematic.
• In other stories, Mors is shown as a servant to Pluto, ending the life of a person after the thread of their life has been cut by the Parcae, and of Mercury, messenger to the gods, escorting the dead person ` s soul, or shade, down to the underworld's gate.
• 19th century scholar Jacob Grimm comments that etymological connections have been proposed between " Norn " and " Neorxnawang ", but says that the theory raises etymological and lore problems : " The A . gen . pl . neorxana, which only occurs in'neorxena wong'= paradisus, has been proposed, but the abbreviation would be something unheard of, and even the nom . sing . neorxe or neorxu at variance with norn; besides, the Parcae are nowhere found connected with paradise ."
• His other works include " Deluge ", which represents two angels speeding above the desolate earth from which the destroying waters have just begun to retire, leaving visible behind them the ruin they have wrought; the " Battle of the Lemanus ", a piece of elaborate design, crowded but not encumbered with figures, and giving fine expression to the movements of the various bands of combatants and fugitives; the " Prodigal Son ", in which the artist has ventured to add to the parable the new element of mother's love, greeting the repentant youth with a welcome that shows that the mother's heart thinks less of the repentance than of the return; " Ruth and Boaz "; " Ulysses and Nausicaa "; " Hercules at the Feet of Omphale "; the " Young Athenian, " or, as it is popularly called, " Sappho "; " Minerva and the Nymphs "; " Venus and Adonis "; " Daphnis and Chlo?"; and " Love and the Parcae ".