pheidias การใช้

• Pausanias also described Pheidias'statue of Zeus at Olympia.
• One was a contemporary of Pheidias, and the other his more celebrated grandson.
• He was a contemporary, but a somewhat older contemporary, of Pheidias and Polykleitos.
• The workshop of Pheidias was turned into a Basilica and the site was inhabited by a Christian community.
• Directed by Laban Pheidias, the video featured skateboarding from professional skateboarders Justin Eldridge, Kris Markovich and Patrick Melcher.
• Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity.
• According to Pausanias, " when the image was quite finished Pheidias prayed the god to show by a sign whether the work was to his liking.
• For example, the figure of Nike held in the right hand of Pheidias'Athena Parthenos was made from solid gold with this very purpose in mind.
• Archaeologists even uncovered the tools used in the workshop by Pheidias, who built the statue of Zeus that stood here and was once one of the Seven Wonders of the World.
• The 4th century BCE catalogue attributed to Xenocrates ( the " Xenocratic catalogue " ), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron.
• The head, which shows the influence of Pheidias, is made of white marble and has holes around the forehead that originally supported a wig made of bronze or a metal crown.
• Here, some of the clay moulds for parts of Zeus'garments made of glass or glass-paste have been discovered in the building known as the " Workshop of Pheidias ".
• In 1880-1883 he brought out his " History of Greek Sculpture : From the Earliest Times Down to the Age of Pheidias ", which at once became a standard work.
• Each sculptor placed himself at first place, but Phidias, Kresilas, and Phradmon had all put Polykleitos at second place, thus, Polykleitos won, Pheidias came second, and Kresilas third.
• He was depicted by painted portrait in the Temple of Athena Areia built on the site of the battlefield by the Athenians, beneath a statue of the goddess made by Pheidias to commemorate the victory.
• The Greek sculptors of the school of Pheidias perceived the battle of the Lapiths and Centaurs as symbolic of the great conflict between order and chaos and, more specifically, between the civilized Greeks and Olympia.
• The Greek sculptors of the school of Pheidias conceived of the battle of the Lapiths and Centaurs as a struggle between mankind and mischievous monsters, and symbolical of the great conflict between the civilized Greeks and vase-painters.
• Formerly he was regarded as a pupil of Phidias, because he set up in the temple of Asclepius at Epidaurus a seated statue of that deity made of ivory and gold, which was evidently a copy of the Zeus of Pheidias.
• Sicard quotes Pliny as one of the Pheidias, the iconic sculptor of classical Athens, whose free standing and frieze statuary represent the acme of the classical depiction of the human form in larger-than life bronze or marble, Sicard used literary sources to explain the symbology behind the form.
• Some of the greatest figures of Western cultural and intellectual history lived in Athens during this period : the dramatists Aeschylus, Aristophanes, Euripides, and Sophocles, the philosophers Aristotle, Plato, and Socrates, the historians Herodotus, Thucydides, and Xenophon, the poet Simonides and the sculptor Pheidias.