prolation การใช้

• Prolation, together with tempus, corresponds roughly to the concept of time signature in modern music.
• The history of written medieval music shows a gradual shift from major to minor prolation being common.
• All of these canons have at least one characteristic in common : the prolation of the different parts.
• The two types of prolatio were also known as " major prolation " and " minor prolation " respectively.
• The two types of prolatio were also known as " major prolation " and " minor prolation " respectively.
• Two particularly striking passages make use of the device of prolation canon, first in the strings and later in the woodwind.
• The equivalent term in the Italian notation of the fourteenth century is " " divisio " ", which covers both tempus and prolation.
• In these studies, Nancarrow explored the possibilities of polyrhythm, prolation canons and the usage of irrational numbers, such as the square root of two.
• Prolation canons are among the most difficult canons to write, and are relatively rare in the repertory, though they are most common in the early Renaissance and from the 20th century to the present.
• Early medieval music was often structured in subdivisions of three, while the note values in modern music are unambiguously subdivided into two parts, meaning that only minor prolation has survived in our time signature system.
• A particularly striking example of prolation canon occurs twice in the opening movement of Shostakovich's Symphony No . 15 ( 1971 ), first in the strings ( Rehearsal Figure 29 ) and later in the woodwind.
• These different permutations were called " perfect / imperfect tempus " at the level of the breve semibreve relationship, " perfect / imperfect prolation " at the level of the semibreve minim, and existed in all possible combinations with each other.
• Additionally, Larry Polansky has written numerous four-voice prolation canons whose melodies are permutations of a limited number of elements, and Mark Alburger, in " Immortality " from " San Rafael News ", directly maps a new melody into the framework of the aforementioned Josquin.
• Another recently proposed theory for the origin of the tune is that it is a stylised combination of a street cry and a trumpet call, and may have originated as early as the late 14th century, or perhaps early 15th, due to its use of the major prolation, which was the most common metre at the time.
• In later, 15th and 16th century notation, confusion between dots of division and the later innovation of dots indicating extended note values creates transcription problems for editors, but it is usually possible to tell from context, as well as prevailing tempus and prolation, which is meant; indeed, the dot of division is rarely required, since a run of semi-breves coming between two ligatures is clearly a grouping.
• Examples of prolation canons from the Renaissance include " Le Ray Au Soleyl " by Johannes Ciconia ( late 14th century ); the entire " Missa prolationum " by Johannes Ockeghem ( mid-15th century ), in which each separate section of the mass explores a different prolation ( or different gap between entries and relative speed of each voice ); the Agnus Dei from the " Missa L'homme arm?super voces musicales " by Josquin des Prez ( late 15th century ); and the Agnus Dei from the " Missa L'homme arm?" by Pierre de la Rue ( early 16th century ).
• Examples of prolation canons from the Renaissance include " Le Ray Au Soleyl " by Johannes Ciconia ( late 14th century ); the entire " Missa prolationum " by Johannes Ockeghem ( mid-15th century ), in which each separate section of the mass explores a different prolation ( or different gap between entries and relative speed of each voice ); the Agnus Dei from the " Missa L'homme arm?super voces musicales " by Josquin des Prez ( late 15th century ); and the Agnus Dei from the " Missa L'homme arm?" by Pierre de la Rue ( early 16th century ).
• Adam of St . Victor, Adenet Le Roi, Albertus Parisiensis, Aleyn, Ambitus ( music ), Andreas Staier, Anonymous IV, Audefroi le Batard, Bamberg Codex, Basse danse, Baude Cordier, Beatritz de Dia, Cancioneiro da Biblioteca Nacional, ( music publication stub-- incorrect : not published ) Canso ( song ), centonization, Chantilly Codex, Cornamuse, Crab canon, Dames Margot and Maroie, Ekphonetic notation, Engelberg Codex, Estampie ( band ), Euouae, Falsobordone, Formes fixes, Fran鏾is Andrieu, Gregorian Modes, Heer Halewijn, Heinrich von Ofterdingen, Ivrea Codex, Kassia, Ligature ( music ), Matteo da Perugia, Mensurstrich, Micrologus, Monochord, Monophony, Naker, Odo of Arezzo, Ordo Virtutum, Oswald von Wolkenstein, Pastorela, Planh, Prolation, Psalter ( Bamberg, Staatsbibliothek, MS A . I . 14 ), Robertsbridge Codex ( classical composition stub-- incorrect : a book of compositions ), Rote, Sequentia ( music group ), St . Martial School, Thomas Fabri, Tuotilo, Vielle