publicness การใช้

• The publicness of this religion is something Ackroyd intuitively grasps.
• "At what point do you lose the publicness of a public system ? " he said.
• And, at dinner, I plan to tell her that it's the publicness of it all that scares me.
• But in terms of practicing raunch it isn't the sex that is problematic, but the " publicness " to the act.
• On the contrary, Thompson argues that modern society is characterized by a new form of " mediated publicness ", whose main characteristics are:
• In accordance, the public may be regarded as the result of the social activities made by individuals sharing symbolic representations and common emotions in publicness.
• He argued " the concept should also be seen in the light of a publicness principle, beyond a critic and manipulative publicity ( . . . ).
• Besides this, he would write various stories in cartoon form and prepare French versions of the American offerings Eerie, Creepie and Vampirella for " 閐itions Publicness ".
• In the Institutional critique practice of artists such as Hans Haacke ( since the 1970s ) and Fred Wilson ( since the 1980s ), the work s publicness corresponds to making visible for the public opinion and in the public sphere controversial public issues such as discriminatory museum policies or illegal corporation acts.
• Cher Krause Knight states, " art's publicness rests in the quality and impact of its exchange with audiences . . . at its most public, art extends opportunities for community engagement but cannot demand particular conclusion, it introduces social ideas but leaves room for the public to come to their own conclusions.
• Ultimately, Gentile foresaw a social order wherein opposites of all kinds weren't to be considered as existing independently from each other; that'publicness'and'privateness'as broad interpretations were currently reifying as an external reality that which is in fact, to Gentile, only a reality in thinking.
• "The Queen of America Goes to Washington City : Essays on Sex and Citizenship "  the title essay of which won the 1993 Norman Foerster Award for best essay of the year in American Literature introduced the idea of the  intimate public sphere,  looks at the production of politics and publicness since the Reagan era by way of the circulation of the personal, the sexual, and the intimate.
• The importance of the study, apart from its historical value in documenting cinema up to and during the twenties in India lies in the fact that this was an attempt by the state apparatus to actually create cinema as an object of colonial knowledge, to understand the way it worked, to classify its audience, to name the publicness of the institution, and finally to attempt to render it intelligible within a log of regulation.
• In this sense, public-creating tourist practices are not limited to  the pundits and wonks and reaction-shot secondary celebrities who try to perform our publicness for us . . . [, but include ] people whose place in public media is one of consuming, witnessing, griping, or gossiping rather than one of full participation, or fame .  Warner goes on to state that,  a public can only produce a sense of belonging and activity if it is self-organized through discourse rather than through an external framework .  Just as the tourist who travels to a different geographic area chooses to do so, a choice that invites the possibility of being transformed by the experience, the citizen-tourist must choose to engage in discourse with other citizens in order for that exchange to create and maintain a public.
• Matthieu Laurette recent selected exhibitions and projects include Ateliers, Centre Pompidou, Paris ( 2007 ); Let's Make Lots of Money, Blow de la Barra, London ( 2006 ) [ Solo ]; Notre Histoire, Palais de Tokyo, Paris ( 2006 ); Day Labor, PS1 / MoMA, N . Y ( 2005 ); Populism, CAC, Vilnius, Lithuania; Kunstverein, Frankfurt, Germany; Stedelijk Museum, Amsterdam, The Netherlands, ( 2005 ); The Today Show, Yvon Lambert Gallery, Paris ( 2005 ) [ Solo ]; Comodities, Deweer Art Gallery, Otegem ( 2004 ) [ Solo ]; Biennale de Pontevedra, Pontevedra ( 2004 ); Matthieu Laurette : Prix Ricard S . A . 2003, MNAM-Centre Pompidou, Paris, ( 2004 ) [ Solo ]; Publicness, ICA, London; GNS ( GLOBAL NAVIGATION SYSTEM ), Palais de Tokyo, Paris; Propaganda, Espace Paul Ricard, Paris ( 2003 ); Less Ordinary, Artsonje Center, Seoul; La vie au fond se rit du vrai, CAPC Mus閑 d'Art Contemporain, Bordeaux; Art and Economy, Deichtorhallen, Hamburg ( 2002 ); Form Follows Fiction, Castello di Rivoli, Torino; Plateau of Humankind, 49th Venice Biennale ( 2001 ); Voil? Arc-Mus閑 d'Art Moderne de la Ville de Paris, El Gran Trueque, Consonni, Bilbao ( Solo ); Plan B, De Appel, Amsterdam; Au dela du Spectacle ( Let s Entertain ), Centre Pompidou, Paris ( 2000 ); Patchwork in Progress, Mamco-Mus閑 d'Art Moderne et Contemporain, Geneva [ Solo ]; Crash !, ICA, London ( 1999 ); Applaus, Casco Projects [ Solo ], Utrecht; Premisses, Salomon R . Guggenheim Museum Soho, New York ( 1998 ).