sibilance การใช้

• The second step was the velar also losing its former sibilance.
• Sibilance is used most successfully in stanzas one and five.
• Often there is an unvoiced band or sibilance channel.
• The sibilance problem was corrected in later pressings.
• Emily uses sibilance to imitate the sound and atmosphere she is trying to describe.
• Sibilance lies in frequencies anywhere between 2 10 kHz, depending on the individual voice.
• Popping sounds occur particularly in the pronunciation of sibilance, for which de-essing is used.
• Or they bed down in illegal basements with nothing but plywood between their mattresses and the sibilance of boilers.
• The further sibilance of " starving sod " creates a harsh sound, adding a further layer of hopelessness.
• Not answering any of his questions she only mentioned " Sibilance " and told him to " run ".
• Another special case of consonance is sibilance, the use of several sibilant sounds such as / s / and / sh /.
• The gays are not only limp-wristed but extend any word ending in the letter " s " into a hissy symphony of sibilance.
• I was told by one of the teachers that I would never work in television or film because of the way I talk-- I have a slight sibilance.
• "What do you mean by ` space'? " it hissed, squeezing the poor empty word, " space " for every caustic drop of its sibilance.
• The original signal can either be split into high ( sibilant ) and low frequencies, or split so that the frequencies " both " below and above the sibilance are untouched.
• The rhythm of longer words can accustom the ear to the repetition, and can even render the additional sibilance satisfying e . g . " Sisyphus's stone ", " Sassafras's bark " & c.
• It may have been two dozen years since Sarge had been in charge, but the memory of his salty sibilance ( " I have a rather raunchy way of speaking . " ), his infectious cackle, and his angular profile endured.
• The output of the ten-band vocoder was fairly intelligible, but relied on specially articulated sibilance through from the microphone; this ruins the device for its original speech-coding application, but it makes the " talking synthesizer " effect much more intelligible.
• Calling it emptiness would have been misleading, for there was nothing in the least showy or even indelicate about it, as might have been intimated by the pompous reverberant overture and the coarsening ultimate sibilance one cannot avoid hearing in the utterance of a word like emptiness.
• Hatosy, best known from " The Faculty " and " In & Out, " gives a mash-mouthed sibilance to all of his lines ( " I know I'm not gonna shay thish right " ) and struts like a randy bulldog.