tenebrism การใช้

• They range from a coldly distant academicism to a more advanced tenebrism close to the Baroque.
• Chiaroscuro and Tenebrism both take advantage of dramatic contrasts of value to heighten drama in art.
• His tenebrism became more illuminated and less harsh, influenced by the more sedate sources such as Pietro da Cortona.
• Not a problem with Tenebrist with 9 uses, but Tenebrism has 7 pages of uses, mostly in fact linked.
• There is little concession to perspective, and the vibrantly colored style is antithetical to the tenebrism of Caravaggio's followers.
• Caravaggio uses his trademark tenebrism, glinting light from an unknown source, to highlight Christ's ivory skin and contrast it with eyes sunk in shadow.
• Caravaggio's tenebrism ( a heightened chiaroscuro ) brought high drama to his subjects, while his acutely observed realism brought a new level of emotional intensity.
• The two artists compromised their styles; Gentileschi subdued her realist style of tenebrism and substituted it with more even lighting and classical composition, and the two succeeded in creating an agreeable collection.
• The Detroit painting is notable for her mastery of chiaroscuro and tenebrism ( the effects of extreme lights and darks ), techniques for which Gerrit van Honthorst, Trophime Bigot, and many others in Rome were famous.
• Caracciolo, only five years younger than Caravaggio, was among the first there to adopt the startling new style with its sombre palette, dramatic tenebrism, and sculptural figures in a shallow picture plane defined by light rather than by perspective.
• Bravo's use of light is similar to that of Caravaggio, a Baroque painter who used a dramatic lighting style called tenebrism to highlight a climatic moment and to bring attention to the front plane by concealing the background in darkness.
• There is little concession to perspective, and if anything the vibrantly colored style is an affront to the violence and tenebrism displayed by Caravaggio and his followers, despite this being a pavilion commissioned by one of Caravaggio's early patrons, Scipione Borghese.
• These works depicting the miracles of Franciscan saints vary between the Zurbar醤esque tenebrism of the " Ecstasy of St Francis " and a softly luminous style ( as in " Death of St Clare " ) that became typical of Murillo's mature work.
• It was also a period when the Church was searching for a stylistic alternative to Mannerism in religious art that was tasked to naturalism that combined close physical observation with a dramatic, even theatrical, use of chiaroscuro which came to be known as tenebrism ( the shift from light to dark with little intermediate value ).
• It is said that he trained with Massimo Stanzione, befriended the painter Andrea Vaccaro, and was influenced by Anthony van Dyck, but his paintings could also be described as equidistant from Caravaggio and Bartolom?Esteban Murillo in styles; tenebrism enveloped with a theatrical sweetness, a posed ecstasy and feeling characteristic of the high Roman baroque statuary.
• Filipovitch-Robinson further describes the painting as " highly theatrical, emotional and stridently Romantic " . " In its complexity, deliberate confusion, slashing diagonals, tenebrism and intense colouration, " she writes, " it most resembles the paintings of her French Romantic predecessors G閞icault and Antoine-Jean Gros, as well as the more contemporary Eug鑞e Delacroix ."
• The use of dark subjects dramatically lit by a shaft of light from a single constricted and often unseen source, was a compositional device developed by Ugo da Carpi ( c . 1455 c . 1523 ), Giovanni Baglione ( 1566 1643 ), and Caravaggio ( 1573 1610 ), the last of whom was crucial in developing the style of tenebrism, where dramatic chiaroscuro becomes a dominant stylistic device.
• The catalogue to the 1990 exhibition held to mark the identification of the Wildenstein " Lute Player "-which was already known but thought to be a copy by another hand-commented on the markedly different lighting used for this version, claiming that it " marks a significant step toward the more dramatically lit, highly focused style of Caravaggio's maturity "-i . e ., towards the heightened contrast between shadows and light ( tenebrism ) that would mark paintings such as " The Martyrdom of Saint Matthew ".