trancey การใช้

• The bassline and the " trancey, arpeggiated " musical line used ES2 presets.
• This track combined the soft-loud synth dynamic from And Then with sweeping strings and more Trancey elements.
• The soundtrack was influenced by trancey electronic textures that would feel as comfortable in a nightclub as a video game ."
• What we were doing was kind of bluesy, and now it's turned into this trancey, broken thing.
• Despite the associations with breakdancing, the band did perform slower paced hip hop songs as well and some more trancey material later on.
• It is _ emphasis on the vague part _ except back in the day we jumped around to power chords rather than trancey percussion lines.
• Kleinenberg described the final installment as " rougher around the edges " rather than having the trancey serenity of the first or the funkiness of the second.
• He called the song a " quiet storm of trancey'50s chart music, iconic K-pop tropes, and top-shelf Ariana Grande ".
• O'Brien described it as a trancey track with a sense of childlike defiant lyrics, dismissing critics who have no knowledge of her " jealously guarded inner self ".
• Simple but effective though  expect its trancey, hypnotic beats to coax you onto the dancefloor next time you're out on the town and up for a strut ."
• The trancey bleeps on'Love Cards'and watery production on his latest single'Rewind'make him sound like an artist that's trying to fit in rather than stand out ."
• "Alien Contact, " Wednesday night's episode of " Naked Science " on National Geographic Channel, explores that probability, using suitably psychedelic images, trancey music and mercifully brief actual scientific explanations.
• In the mid nineties, Danny Rampling was invited by promoters Wayne Seven-Kurz and Sdaegh Al Hilaly to hold a monthly residence at a new promotion called " South " which showcased his new, trancey, Euro style.
• The soundtracks for " Streets of Rage " ( 1991 ) and " Streets of Rage 2 " ( 1992 ) were influenced by trancey electronic textures that would feel as comfortable in a nightclub as a video game ."
• As home consoles moved into the trancey electronic textures " that " would feel as comfortable in a nightclub as a video game . " Another important FM synth composer was the late Ryu Umemoto, who composed music for many visual novels and shoot'em ups during the 1990s.
• -In Time Out in Feb 2006, John Lewis : " " the ECM-ish production is exquisite, Kelani s voice is an awesome instrument and her own compositions and arrangements swerve between delicate, joyous, trancey, austere, boisterous and beautiful " ."
• Shortly after the success of " Feel So Good ", Mrs Wood began producing less commercially orientated, techno and nu-nrg influenced tracks such as " 1, 2, 3, 4 ", which was less well received, despite featuring a trancey remake from Vincent De Moor.
• The reviewer at " Listen Japan " was overwhelmed by the strong impressions of all of the tracks, including the " heavy bass and trancey synths " on " Dance Together, " " Futuristic Lover " that " shines with'80s style synths . " The reviewer felt all the different songs felt extremely modern and trendy, and noted the varied vocals between songs . " Listen Japan "'s Morio Mori thought " Happiness "'" catchy hook and autotuned voice " could make hearts dance.
• "he was only there for an afternoon . we had sent him live recordings of the songs we wanted him on ( daffy, bees, fickle cycle, and people ) but he never had a chance to listen to them . so he came in and would listen to each track once, then talk with us about ideas, and then just improvise over the song . as scott [ Colburn ] predicted ( he has worked with eyvind many times over the last 10 years ), he never hit a wrong note . it was pretty mindblowing to watch . he played violin, viola, and tried some traditional Chinese instrument, which we took out because it didn't mix so well . wish we had more time to jam because i'm sure it [ would ] have [ been ] a lot of fun . dave [ aka Avey Tare ] and i had been thinking about who to ask to play violin on a few songs that we wanted violin on, and eyvind was our first choice . we'd been big fans of his since first hearing him play violin on a sun city girls record in the mid-90's . it was kind of just great luck that he was our first choice and that scott knew him and had recorded him a bunch, and that he lived in the seattle area . when i first asked him if he'd be interested his crucial question was what we wanted out of a violin part in a song . did we want it to stand out melodically so a listener would say, oh here comes the violin part, or did we want him to explore the violin and how it would fit into the song ( i . e . doing noise, more textural parts ) ? i replied the latter and he was stoked . that was the ultimate reason we chose him . he's so good at exploring and pushing the limits of his instruments . he can master the pretty and melodic stuff, harsh noise music, trancey drones, etc ."