tremulousness การใช้

• As Rita, she is the image of rectitude fighting off tremulousness.
• Shlipak's study identified additional symptoms, including soreness, tremulousness and dizziness.
• Danner captures the acid etched in Goldman's wittiest lines and Ivey is tremulousness personified.
• His voice is bright and has carrying power, although some tremulousness may be a worrisome signal that he is forcing.
• Helen's sister Joy, played with hilarious tremulousness by Jane Adams, is the dartboard in a family that also includes chirpy Trish ( Cynthia Stevenson ).
• With him, it has an authentic tremulousness, and also a dread, as if Pinocchio needed to take on Gepetto and Jiminy Crickett to become a real boy.
• Schiller meant for the part to be played melodramatically, but Rene Augesen overdoes it with an off-putting tremulousness that is out of character with the rest of the production.
• And though he had never had much of an impact in the R & B market, he was an African-American who could handle the Stylistics and Gladys Knight songs credibly, substituting his trademark tremulousness for their more soulful approach.
• The Times reviewed the quality of his voice in 1847 ( 22 April ) : " It is impossible for a singer to be more free than Superchi from this defect of his predecessor ( Luciano Fornasari, who never surmounted his tremulousness ).
• For example, the " Hampshire Telegraph " noted in April 1847 that " Tamburini s voice exhibits some of the effects of time for his upper notes have lost power, and the tremulousness, which was always his defect, has increased ".
• Pristine and bittersweet, " I Put Your Records On " recalls Rumer . " BBC continued with praise, harking, " Kissing You Goodbye, which is so Bangles-cover-California-Dreamin it s potentially litigious, there is a Susanna Hoffs-ian tremulousness to their voices.
• Expressed in the pattern of respiration ( e . g ., fast, slow, pauses ) color changes ( e . g ., pink, pale, red ), neurological indicators ( e . g ., seizures, tremulousness ), and visceral or gut signals such as bowel movements, gagging, and hiccoughing;
• In comparison, Gene Siskel of the " Chicago Tribune " wrote that the film was " elegant, traditional story-telling " with " complete characterizations and performances, a genuinely tender and erotic love scene and a sweetly satisfying finale "; adding " the filmmaking and performances are so seamless that " " Desert Hearts " " may accomplish on film what hasn't been achieved in society the de-sensationalizing of lesbianism . " Paul Attanasio of " The Washington Post " praised the film highly, calling it " astonishingly polished and nuanced "; and although some aspects of the cinematography were criticized, remarked : " Donna Deitch's first feature, touches something about love that few movies even hint at  not the tremulousness, or the hiding and jousting ( although there is that ), but the way the attraction of two lovers warps the world around them, throws it out of whack . " In the " Chicago Sun-Times ", Roger Ebert gave " Desert Hearts " two and a half stars for the simplicity and directness of the film, but noted the surprising power of the romantic scenes.