astringently การใช้

• "I came home to watch Milosevic fall, " he said astringently.
• London is astringently bleak, dreary, wet, gray, a burial ground for dreams.
• What would Henry R . Luce, the iron-willed, astringently conservative founder of Time magazine, say?
• The vodka sits there, astringently, making no effort to have a meaningful conversation with the sweet, raisiny Madeira.
• Imagine what they do when Renato ( whose astringently acrobatic self-pleasuring methods seem more attuned to a porno tape ) begins asserting his pubescence.
• Washington is not specifying the charges on which it would like Milosevic arrested, but just wants him in prison, a senior official noted astringently.
• Albright, asked if she got " good answers " on this trip, said astringently, " I received some answers ."
• As the final chord dies away, the astringently dissonant, insistently repeated opening chords of Karlheinz Stockhausen's " Klavierstuck IX " begins.
• A Broadway reprise for this astringently comic two-hander by Suzan-Lori Parks about sibling rivalry, three-card monte, manhood and being black in America.
• Praised by some critics as Kaurismaki's best ( of nearly 25 films I'd recommend, just for starters, the more astringently wry " Calamari Union,"
• Later on, when he had taken her to Hollywood, they made films together that now seem astringently modern, like " Morocco " and " Shanghai Express ."
• The next episode in the overture, where the vernacular music starts to blend eerily, and brilliantly, with an astringently chromatic recollection of the opening material, would be more powerful if it came sooner.
• As Berthold Kohler wrote astringently in the Frankfurter Allgemeine newspaper, Schroeder's " assessment likely came easily to him since it also reflects on the host of the talks on Afghanistan's future ."
• What does help, apart from the visual respite of the garden apartment complex known as La Fortuna, is the astringently bittersweet performance of Sarah Jessica Parker, as a former TV child star who inadvertently brings the lovers-to-be together.
• He wrote in several styles, sometimes severe Baroque counterpoint, as in the fugue that opens his Second Symphony sometimes " impressionistically " as in the tone poem " Au Loin ", or, as in the Symphony No . 2's scherzo, yet more astringently.
• He was able to find character in these details . " " The New York Times " described Levine's illustrations as " macro-headed, somberly expressive, astringently probing and hardly ever flattering caricatures of intellectuals and athletes, politicians and potentates " that were " replete with exaggeratedly bad haircuts, 5 o'clock shadows, ill-conceived mustaches and other grooming foibles . . . to make the famous seem peculiar-looking in order to take them down a peg ".
• "The New York Times " described Levine's illustrations as " macro-headed, somberly expressive, astringently probing and hardly ever flattering caricatures of intellectuals and athletes, politicians and potentates " that were " heavy in shadows cast by outsize noses on enormous, eccentrically shaped heads, and replete with exaggeratedly bad haircuts, 5 o clock shadows, ill-conceived mustaches and other grooming foibles . . . to make the famous seem peculiar-looking in order to take them down a peg ".