fleuron การใช้

• The tower has a fleuron frieze below its battlements.
• During the battle a bejewelled gold fleuron was struck from this same crown and lost.
• Johnston's article on the American type designer Frederic Goudy appeared in " The Fleuron ", published by Stanley Morison.
• In 1922, he was a founder-member of the Fleuron Society, dedicated to typographic matters ( a fleuron being a typographic flower or ornament ).
• In 1922, he was a founder-member of the Fleuron Society, dedicated to typographic matters ( a fleuron being a typographic flower or ornament ).
• He was in the short-lived " Fleuron Society " ( 1923 ) with Stanley Morison, Francis Meynell, Bernard Newdigate and Oliver Simon.
• Figurative miniatures from Medieval Arabic countries, India, Persia and Turkey are one of the fleuron of Islamic Arts and a good deal of its attraction power for non-Muslim societies.
• The titling capitals of Gill Sans were first unveiled at a printing conference in 1928; it was also shown in a specimen issued in the " Fleuron " magazine edited by Morison.
• The Tivoli Order's Corintinan Capital has two rows of Acanthus ( ornament ) and its abacus is decorated with oversize fleuron ( architectural ) in the form of hibiscus flowers with pronounced spiral pistils.
• One of the most complete serif font families ever designed, Arno supports Adobe CE, Adobe Western 2, Vietnamese character sets with small caps, as well as dingbat and fleuron characters inspired by early printing.
• At the time of the installation of the Portuguese Republic, the two end columns were decorated, one with the Portuguese royal coat-of-arms and crown, and the other with fleuron, later placed in the Museum of Chaves.
• Each volume contained a rich variety of papers, illustrations, specimens, inserts and facsimiles along with essays by leading writers of typography and the book arts . " The Fleuron " is significant in containing influential essays and typographic material still relevant to the history and use of typefaces.
• In 1922 Stanley Morison  the influential typographical advisor to Monotype  with Francis Meynell, Holbrook Jackson, Bernard Newdigate and Oliver Simon founded the Fleuron Society in London . " The Fleuron " was the Fleuron Society's journal of typography and it was produced in seven lavish volumes.
• In 1922 Stanley Morison  the influential typographical advisor to Monotype  with Francis Meynell, Holbrook Jackson, Bernard Newdigate and Oliver Simon founded the Fleuron Society in London . " The Fleuron " was the Fleuron Society's journal of typography and it was produced in seven lavish volumes.
• In 1922 Stanley Morison  the influential typographical advisor to Monotype  with Francis Meynell, Holbrook Jackson, Bernard Newdigate and Oliver Simon founded the Fleuron Society in London . " The Fleuron " was the Fleuron Society's journal of typography and it was produced in seven lavish volumes.
• In a 1926 paper published on the British typography journal " The Fleuron ", Beatrice Warde revealed her discovery that the Imprimerie nationale type had been created by Jean Jannon, something she had discovered by examining printing credited to him in London and Paris and through reading the work of Paillard.
• Caract閞istique de son style d閙ocratique, toute sa carri鑢e aura fait une large part ?la pr関ention et ?l 閐ucation pour la sant? notamment en termes de nutrition, de pr関ention des traumatismes ?domicile ainsi que de vaccination . Pour Luc Chicoine, la p閐iatrie g閚閞ale n existe pas sans action pr関entive, sans participation active ?cette action . ?La vaccination est, pour moi et tous ceux qui pr閒鑢ent pr関enir, un acquis sur le fleuron de la p閐iatrie.
• :She was an original typographical scholar of the first rank ( the'Paul Beaujon'Garamond and other studies in " The Fleuron " and " The Monotype Recorder " ); she was a practicing typographer of sure taste and a calligrapher of elegance; for over 30 years she was a brilliant editor of the " Recorder " and the " Monotype Newsletter ", as part of her devoted service to The Monotype Corporation as its publicity manager; she was Stanley Morison's inseparable and incomparable lieutenant in the great work of Britain's typographical renaissance; she was beyond peer as a public expositor, and propagandist for, good typography.