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manneristic การใช้

"manneristic" แปล  
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  • Throughout the master's career his figures had Manneristic proportions.
  • The overall style of the building and its decoration is Manneristic.
  • Barry Gifford explores Elmore Leonard territory with the manneristic precision of Walter Pater.
  • It is also a potential symptom of schizophrenia, as a manifestation of manneristic speech.
  • Early drawing drafts and the fresco itself shows Ligorio s commitment to the Raphaelesque and Manneristic styles.
  • In the late 16th century, as the Renaissance era closes, an extremely manneristic style develops.
  • Arcimboldo, making a start from concetti, painted metaphorical and fantastic pictures, extremely typical for manneristic art.
  • In his " Chats on Japanese Prints " of 1915, Arthur Davison Ficke concurred that with Utamaro ukiyo-e entered a period of exaggerated, manneristic decadence.
  • Other features of their appearance were their long moustache, their bead chaplets ( ??????????, sing . ???????? ), and their idiosyncratic manneristic limp-walking ( ?????? ??????? ).
  • Yet at the same time, systematically and compositionally they occupy a fairly Manneristic realm, and in this I feel that they exist isolated from the reality of life . ""
  • I also used the life-control method for many years and followed Binswanger's ( 1911 ) theory, only to find it manneristic, too theoretical, relatively impractical, and ineffective.
  • Two of the other styles are described as " elegant . . . a little stereotyped and manneristic ", and of a " heavy, leisurely but nevertheless rich and lively style ", respectively.
  • The madrigals show the influence of the polyphonic, reserved, and avoid the manneristic and experimental style of some of the mid-century composers such as Cipriano de Rore also working in the Venetian orbit.
  • Almost all of the innovations which were to define the transition to the manneristic style of the Ferrara school, which migrated to Naples and elsewhere through the music of Carlo Gesualdo, was to be the final statement of the polyphonic vocal music of the Renaissance.
  • In " On Ugliness ", which was published under Umberto Eco's edition, Arcimboldo also admitted belonging to manneristic tradition for which " . . . the preference for aspiration to strange, extravagant and shapeless over expressional fine " is peculiar.
  • Stylistically, they span both the manneristic complexities of the " ars subtilior ", which was the predominant style in Avignon in the 1390s, and the relatively simple song style of the early 15th century as it was developing in the courts of France and Burgundy.
  • The style of " musica reservata ", with its implication of a highly refined, perhaps manneristic style of composition and performance along with a very small audience, is reminiscent both of the ars subtilior of the Avignon group of composers of the late 14th century, and also perhaps some of the contemporary avant-garde classical music of the late 20th century.
  • He wrote several distinguished pieces ( " " Jarula " ", Venice 1618-Old and New Testament in storytelled form; " " Draga, rapska pastirica " " ), but one work excels in his literary opus : complicated and the most explicitly manneristic epic in 13 books " " Vila slovinka " " ( Venice, 1613 ).
  • Professor Vrasidas Karalis, an expert on Variety " argued that the film, despite " excesses, " has a " strain of irony " that remains constant and that it has an " off-center, ironic flavor . " Karalis argued that it was derivative of Nikolaidis'earlier films and that it " confirmed the fossilization of a visual style which had transformed itself into a self-conscious manneristic extravaganza ."
  • Albright contrasts this motivation with " expressive urgency " and " obedience to rules of craft " and, indeed, " ars subtilior " was coined by musicologist Ursula G黱ther in 1960 to avoid the negative connotations of the terms " manneristic style " and " mannered notation " . ( G黱ther's coinage was based on references in " Tractatus de diversis figuris ", attributed to Philippus de Caserta, to composers moving to a style " post modum subtiliorem comparantes " and developing an " artem magis subtiliter " .)