nonrepresentational การใช้

• Hard-edged painting can be both figurative or nonrepresentational.
• And also we may well ask what really was nonrepresentational about his art.
• Though Gleizes considered his works as initially nonrepresentational and only afterwards as denotational.
• His work became bolder, more arbitrary, more dynamic and increasingly nonrepresentational.
• But inside, it specializes in contemporary Chinese art, most of it nonrepresentational.
• Of course a sculptor of nonrepresentational subjects needn't grapple with the drape of a pant leg.
• Instead, the four-cornered red shape on a neutral background is a woman rendered in nonrepresentational style.
• More logically, they were also used for the background of nonrepresentational designs such as characters of Chinese script.
• But even most of the nonrepresentational objects have figurative references as opposed to being an investigation of form and color.
• Curators are really tapped into the local scene, where interest in abstract or nonrepresentational painting has been especially strong.
• Under Christianity, the shapes of the pieces, originally Islamic nonrepresentational ( see piece values in shantranj ), changed.
• The lower-level, nonrepresentational neurophysiological processes have causal power in intention and behavior rather than some higher-level mental representation.
• Meanwhile, GF Contemporary represents work by more experimental artists . " I've always loved nonrepresentational art, " says Fritz.
• The identity of the painter of the first completely nonrepresentational canvas in the West in the early years of the 20th century is uncertain.
• Shetani ( evil spirits ), which are mostly carved in heavy ebony, tall, and elegantly curved with symbols and nonrepresentational faces.
• Anyone can approach, touch and stroke these nonrepresentational works of art; one bold, multipart installation is even large enough to walk through.
• It's a somewhat shaky position : Centuries ago, nonrepresentational decorative patterns appeared across the globe, especially in Asian and African art.
• His leaning toward nonrepresentational art had begun as early as 1929 in Paris, where he was a member of the Abstraction-Cr閍tion group.
• In these small nonrepresentational works he gives birth to a new style, and while there are affinities and influences, the style is recognizably his.
• Secondly, nonrepresentational approaches to Children's geographies have offered a commensurate and ( arguably ) broader series of approaches that move beyond social constructivism.