preces การใช้

• The service may begin with the Penitential Rite or proceed directly to the preces.
• In general usage, " preces " could refer to any request or entreaty.
• "Preces " are short, lightly neumatic musical prayers in rhyme with a refrain.
• He published a devotional book, " Meditations, preces, and Daily Exercises ", in 1611.
• He also reconstructed and reinstated preces and responses by William Byrd, Thomas Morley, William Smith and Thomas Tomkins.
• On some days in Pius X's arrangement, but now always, there follow " Preces " or intercessions.
• The " Preces Privatae " were first published by R . Drake in 1648; an improved edition by F . E . Brightman appeared in 1903.
• As an ordinary service, Evensong will start with the preces and responses and proceed with the psalm set to Anglican chant, then the canticles, with an anthem after the Third Collect.
• This litany is prescribed in the Roman breviary at the " Preces Feriales " and in the Monastic Breviary for every " Hora " ( Rule of St . Benedict, ix, 17 ).
• In the Latin Church, the Trisagion is also employed in the Chaplet of Divine Mercy and the Prime, in the ferial Preces, on ferias of Advent and Lent and on common Vigils.
• This is the day "; an arrangement of the Eastern Orthodox funeral hymn " Kontakion of the Departed "; a set of preces and responses; and music for Advent and Christmas.
• The Preces, which is called " the universal prayer of the work ", is described by one journalist as including " blessing of everyone from the Pope to Virgin Mary to the prelate of Opus Dei ".
• It contains some of the finest 16th-century masterpieces, ranging from the " faux-bourdon " style of Thomas Tallis's " Preces and Responses " to the most developed types of full anthem.
• Works such as the Magnificat and Nunc dimittis in G major, the Preces and Responses, and the anthem " They that go down to the sea in ships " have entered the standard repertoire of Anglican church music.
• His best-known work is the " Preces Privatae or Private Prayers ", edited by Alexander Whyte ( 1896 ), which has widespread appeal and has remained in print since renewed interest in Andrewes developed in the 19th century.
• His contrapuntal interest is best shown in his sacred music, of which the largest collection is the two volumes of motets, 53 in all, entitled " Preces ecclesiasticae ", published in Paris in 1609 . They are from 3 to 7 voices.
• This collect, which is in the Gregorian Sacramentary, occurs in both the Bobbio and the Stowe, and in the latter has before it the title, " Orationes et preces missae aecclesiae romane ", so that it is evident that the Roman additions or substitutions were recognised as such.
• As the male soloists sing the last line repeatedly, the boys sing " Hostias et preces tibi, Domine " ( " Sacrifice and prayers we offer thee, Lord " ), paralleling the sacrifice of the Mass with the sacrifice of " half the seed of Europe " ( a reference to World War I ).
• Chamber Sonatas op . 1 nos . 4, 5 & 6; Sonata for Harpsichord op . 2 no . 6; Divertimento op . 3 no . 4; Aria " Astra coeli "; Offertory " Ardete amore "; Motet " Eia preces et veloces . " Julianne Baird, soprano; Ensemble " La Donna Musicale . " La Donna Musicale 10104, 2010.
• ""'Mortuos Plango, Vivos Voco " "'( 1980 ) for voice of the composers'son, then chorister there; and the text is taken from that written on the bell : " Horas Avolantes Numero, Mortuos Plango : Vivos ad Preces Voco ( I count the fleeing hours, I lament the dead : the living I call to prayer ) . " Music V was used to analyze and transform the sounds.